Lexa Woods, mother of two and beloved wife, goes on her final tour with her older sister and second-in-command, Anya, in Tagab before she’s to be relieved of active duty. Everything goes as planned until a fateful roadside bombing leaves the two sisters separated. After Lexa and half of their crew are presumed as K.I.A., Anya is honourably discharged and sent back home to New York where Clarke receives the shocking news of her lover’s untimely death. Anya comforts her younger sister’s wife and children in attempts to honour her promise to Lexa. Only, as the years pass, her ‘comfort’ unforeseeably becomes something more to the both of them.
Then – by some miraculous twist of fate – Lexa shows up five years later, changing everything.
No one can ever forget that there are two sides to every family.
Clarke notices something different about her wife, Aden continues to act out, Anya tries to reach out and help her little sister, Abby asks her daughter question, and Lexa meets her physiotherapist.
Tris is questioned at school, Lexa has her first panic attack, Anya tries to hold it together, Abby tries to make some progress on finding out what’s wrong with her daughter-in-law, and Clarke stumbles upon something horrifying.
Abby learns new information about Lexa’s condition, Aden gets picked on by bullies, Clarke struggles to hold her family together, Anya hits rock bottom, Raven receives a chilling phone call, and Lexa visits her past.
Anya and Clarke finally get to have their much-needed talk, Jackson and Aden grow closer, Lexa fights her nightmares, Abby deals with hospital politics, and Raven makes a startling discovery about her patient.
Understanding child abuse and neglect by The National Research Council Staff Commission on Behavioral and Social Sciences and Education, Division of Behavioral and Social Sciences and Education.
Anya tries to rebuild the bond with her sister, Raven confronts Clarke, Abby makes a decision, Aden and Jackson have a moment, and Lexa’s worst nightmare becomes a reality.
Many thanks to my big brother, Blu, for the incredible cover art that he made for this story. It’s definitely more than I could have ever asked for, in all honesty. Y’all need to go and follow him if you haven’t already, and show him all the love for this piece he did for me. He’s the best artist I could ever collaborate with, ever. There’s something in the way he does art, you just… feel things. It’s great.
This is the master post that’ll be re-blogged whenever there’s an update to the story, just so then all the chapters are on one post. Individual updates will still happen, but this is the master post that includes everything. Sources on research for certain chapters will be posted under each of the chapter links, so, if any of you are interested and want to read more about some of the topics brought up during the course of the story, you have accessible links.
Much love to all of you guys that are reading, commenting, and sending asks/kudos upon this fic. Honestly, it means the world to me and I cannot wait to get through and reply to all of y’all. It’s beyond incredible. I am still in awe.
EDIT: this is the new master post because I couldn’t figure out how to edit the other one due to my incapabilities as a human being using basic technology.
It’s back.
In spite of the many necessary warnings on this fic, I do hope you give it a go – it’s such a compelling read, not at all the usual ‘fan fiction,’ but a story quite epic in scope, with so much internalised grief and trauma, it pulls no punches.
That it is also so thoroughly researched gives you an idea of the novelistic integrity behind it.
Kassie Skai is haunted by a dark secret: every night she’s visited by a hot ghost (Raven Reyes). Frightened yet impossibly turned on by these erotic visitations, Kassie’s too afraid to tell anyone about her horny anguish except sex therapist/parapsychologist Dr. Octavia Blake. As Dr Blake tries to uncover the truth about Kassie’s sexy supernatural shenanigans, the consequences for client and therapist are a jolt that awkens them both to something unexplainable.
(Full credit to @lrnangel for the title and strapline.)
Is there proof or confirmation she has been “pushed off”? Or is this just over reacting and fan speculation?
ali adler is missing from the credits in the cw’s official synopsis for season 3 of supergirl. seeing that she co-created the show and has been an executive producer for the first 2 seasons and now she’s suddenly not an executive producer or any sort of producer on the show it seems, yeah. it’s legit. she hasn’t made a statement about it on twitter from what i’ve seen, but if this was a mistake, the cw would have fixed it by now since the synopsis has been out a few days now.
So, a couple things to add, because I have been tracking this since March for my S2 writer/director/producer diversity report card (S1 can be found here), and I have been wondering for a while why Ali stopped doing anything to do with Supergirl since 2×09.
Real quick: There are 3 basic levels to pay attention to in this conversation: co-creator, executive producer, co-executive producer.
The three people with co-creator designation are Ali, Greg and Andrew. You’ll note on imdb, they’re the names listed as “developed” for the writing credits.
Since Greg has so many shows, though, he also brought on Sarah Schecter to be a fourth executive producer. These are your defacto showrunners. While Greg oversees the overall Arrowverse stuff, the three of them were taking care of SG specific big picture stuff. However Sarah left after 2×06 to act as showrunner for Riverdale, and Robert Rovner took over as executive producer. So please note, it went from 2:2 in S1 to 3:1 in S2 for male vs female exec producers.
Co-executive producers help run the day to day stories and manage the nuts and bolts. As far as creative decisions, they usually get more say than staff writers but not as much as the showrunners. For S1, you had Yahlin Chang (19 eps) and Larry Teng (7eps) co-exec producing. For S2, you had Larry Teng (6) and Jessica Queller (13 eps).
So when you look at the media, your talking heads should be the showrunners. That’s why Sarah Schecter went to Comic Con. That wasn’t a red flag for Ali not to be there, because Andrew wasn’t there either, but it was kinda curious that a lot of the written media and interviews was with Andrew and ONLY Andrew. However, Ali was the talking head for all the Supergirl Inside videos (eps 1-9), so you can see the division of labor there, and it didn’t grab my attention yet.
1) The first really big red flag, however, was Paleyfest’s announcement on February 8. Melissa was the only one listed for Supergirl. The other shows also took some time listing the actors, but for the producing side, virtually every other DCTV showrunner was present. Wendy Mercile, Mark Guggenheim for Arrow, Klemmer for Legends, Helbing brothers and Kreisberg for Flash. Where was Ali? Flag #1.
2) So then I started paying attention to the Supergirl Inside videos. Ali did every single Supergirl bts video for S1, all the promotional media for CBS, and all the S2 Inside interviews for S2 1-9. But 2×10 and 2×11 (Jan 30 and Feb 6, respectively), it’s Jessica and Robert. And, particularly as I was growing frustrated with the romantic focus and Mon-El issue and Alex’s lack of a real storyline in Feb and March, I noticed it kept being Jessica and Robert talking in these videos.
By the way, they’ve done all the Supergirl Inside videos for the rest of the season, except for one Inside video where it’s Melissa and David gushing about Kevin Smith at Paleyfest. Ali, actual co-creator and showrunner, wasn’t anywhere on the BTS stuff, so her disappearance was definitely troubling.
3) The Valentine’s Day ep was a hot mess, and so I went to check out her Instagram and Twitter to see what she had to say about it- and you’ll notice, she goes from Supergirl related pics all over on her Instagram, virtually every other one and promoting the show on her Twitter to…her kids and politics. There’s a drop off in the trend, and since then she’s only ever posted about Supergirl when it’s Chyler/Alex/Floriana/Maggie/Sanvers getting nominated for GLADD or LGBTQ stuff.
Add on the fact that now she’s not listed as the exec producer for S3 in the write up?
Yeah, it’s totally legit, and someone needs to tell us what the hell happened, because if you line up when Ali disappeared and where S2 started to really go off the rails with respect to Alex’s storyline and the show no longer being centered on Kara, it’s a perfect match.
It’s bad enough we went from 1:1 ratio to 3:1 with Sarah gone. If Ali was forced out of her own show, then you basically have all men running Supergirl at the executive producer level, which…actually explains a lot about the back half of S2.
Disturbing.
Not surprising coming from The CW – but, still, disturbing.
OVER A MILLION YOUNG PEOPLE ARE NOT ON UK ELECTORAL ROLLS.
IT TAKES JUST 5 MINUTES TO REGISTER ONLINE TO HAVE A SAY IN YOUR FUTURE!
If you are 18 or over on the day of June 8th 2017 you can vote in the general election. You just need to register by May 22nd. Simply follow the link below.
any other fellow Autistics™ just find parties and party-like environments really unenjoyable and don’t know how/why other people seem to have so much fun at them?
god all the time. i dont know social norms, customs, or rules so i have no idea what to do at parties.
plus its just sensory hell with loud music, occasional flashing lights, loud chatter, etc.
anyone else feel like they’re too fucked up to be loved and cared about?
Too old, too ill, too odd, too (fill in the blank).
I’ve not watched, please don’t spoil, but if Missy turns out to be an earlier incarnation of The Master and she regenerates into Simm, I’ll be so disappointed.
I hope they don’t go there.
Why? Because it is regressive. It was a brilliant move to FINALLY make a gender change to the Time Lords – representation is important. If we lose Missy just to return to Simm as the Master (I know Gomez has said she is leaving), we’re regressing. We don’t even go back to earlier Doctors (and I hope we never do). It’s like undoing the female version, implying she wasn’t as popular or wanted and the male version is more acceptable.
And there are fans who believe this and want it to happen.
So – I hope this doesn’t happen, but my hope is waning.