A Place To Be Born – Moodboard

Moodboard inspired by @liminalsmith’s post-apocalyptic tale A Place To Be Born.

“Are you laughing at me?” Clarke asks, full of mock offence. “I…oh my God. You are laughing at me. You are quite strange, Lexa Woods.”

“Likewise, Clarke.” Lexa shakes her head, stares out the window, then back at Clarke. Her voice is soft when she asks, “What are you so eager to sell your soul for?”

Clarke grips the wheel, bites the inside of her lip till she tastes blood. “You can’t sell something you don’t have.”

This is from an old ask that I probably already answered long before: why are the 100 not heroes?  Note: this is just my considered and rambling opinion, feel free to agree/disagree on your own blogs.  

The 100 come from a largely autocratic/fascist way of life with a top-down society that only benefited the most powerful, useful (and, even then, not much).  The 100 themselves were problematic misfits who, once on the ground, resorted to an almost primal survival system that involved bullying, threats, withholding food and physical violence. They destroyed a grounder village and Finn would later murder 18 in another village. They tortured Lincoln.  Even if you try to justify their behaviour as defensive, they still acted against common sense and murdered at every opportunity (this includes Mt Weather).  Anya, shot in the back.  The mass incineration of soldiers.  The mass-murdering of Lexa’s protection forces (in an effort to steal land and terrorise the locals). Bellamy openly murdering two messengers.  They offered nothing to the coalition they joined, never tried to integrate or have a better understanding of grounders, seeing themselves as superior. Their ambassador (Clarke) manipulating the grounder leader to change her laws in order to benefit her own people, Jaha aligning himself with Alie and helping her subjugate and kill grounders (even if under her control, he, unlike Raven, never fought it). Lincoln’s murder.  Octavia’s turn to assassinate grounder leaders, including her poisonous judgement and killing of Luna (who was, conveniently villainised by the writers) and her offensive assumption of the Commander title. Later in series 4, they would have left all of the grounders out to die, taking the grounder’s bunker (and origin story) for themselves. They basically helped wipe out all of grounder culture – and their leadership in just under a year.  With no obvious remorse.  

This show centres its story around the sky people, making them the protagonists so we see things (mostly) from their point of view. We learn to like Clarke and Raven and Monty, etc. We like them on an individual level, but they are very much of our own society that rarely acknowledges how racist we can be, how indifferent to suffering, how inured to a oligarchic state we are, or does much about it.  

On The 100, the sky people represent the lowest common denominator in survival while believing they are the most advanced society.  The Grounders were more often than not, portrayed as savages which made ‘the 100 as heroes’ seem palatable. It really isn’t.  When Lexa ascended to a point of importance on the show, it looked like Grounders might have their day and be treated with some equality in the narrative.  Of course, this didn’t happen. 

The show continues to return to Clarke and the others (since the show is about them) as the ‘hero protagonists’ but rarely if ever allows itself to question whether they really are heroes (’maybe there are no good guys’).  Bellamy, in particular is highlighted the most in this, as his murderous actions are swept under every rug and he is given a ‘redemption’ that he does not earn (and is now labeled by JR as ‘valiant’).  Clarke, too, is given more consideration even though she has been responsible for killing more Grounders than anyone (she knew of the bombing of Ton DC and warned no one, she ordered the mass incineration of the 300 grounders, she – with Bellamy – threw the lever that killed all the people in Mt. Weather, she convinced Lexa not to retaliate against Arkadia after Pike’s rampage (setting up the conditions for Lexa’s death) and, grotesquely, it was her idea to steal the bunker from the grounders (she almost made herself Commander, except Roan, for better or worse, called her out for mocking his culture).  

If the show had been more even-handed with its portrayal of the differences between Skaikru and the clans, offering a more balanced view (you can still have drama), gave more thought to the Grounder’s backstory and offered (whether in Lexa or some else) a long term foil to the Skaikru’s plans and isolationist identity, the characters of The 100 might have shown more nuance with its characters and the storytelling might not have resorted to superficial tactics (like making the Grounders so simplistic and savage as to be unrelatable, save for a few recurring characters like Lincoln, Lexa, Anya, Indra). 

I’m disturbed when I see fan posts about how awesome Octavia or Bellamy or Raven are: within the context of the show, they are mass-murdering colonialist usurpers (this might be accidental, but it is still their choice to carry it out).  Clarke, as the only Sky person to be written with any nuance or resolvable complexity, is given more of a hero’s notice because, within the narrative’s terms, she is only doing what she can to help her people survive. This is the excuse. But she has spent enough time amongst the others who live on the planet to know they are all human beings with value and also worthy of ‘more than surviving.’  

It’s hard not to see Clarke as merely a desperate manipulator of others to achieve a frightening goal (what could she have had other than to remove the obstacle that was the Grounders and Mt. Weather?) that would only benefit her people.  ‘Doing it for my people’ is often made fun of, but it is also Clarke’s version of ‘my country, right or wrong.’   What makes this worse is, we know how intelligent Clarke is, how insightful she can be, how close she got with Grounders like Lexa and Niylah, and how, in the end (before the radiation blast) she was willing to let all of them go just to save her own (more valued) kind. Metaphorically, we might see Clarke as the privileged white woman of power who won’t use it to benefit other, more marginalised voices.  That she was left alone on the surface, to raise a Grounder child, whom, in the teaser narrative of last summer, she is already telling fairy tales about her people to (whether that squares up with the upcoming series, who knows), is a chilling moment of a colonialist triumph – did Clarke never learn the lesson?  The child is so clearly a reminder of Lexa (brown-haired, green-eyed Nightblood), we want to believe Clarke is finally at peace with the two cultures she helped make war amongst (and, if she really did love Lexa as she claimed, wouldn’t she want Madi to know more of her own history and follow Lexa’s example).  

It would be a fine bit of turnaround if the show ended with the final decimation of the Sky people’s ‘superiority’ – but the show has been so deep in the POV of Clarke, et al, who would appreciate it? It might just be seen as more destruction for destruction’s sake.  For the Sky people to really become ‘grounders’ – losing their connection to technology – is a strong narrative urge that would round off their misadventures against the original clans. It won’t make them heroes, but it would realign the plot to something that might be close to some kind of karmic justice.  

Yes, all of this can be twisted any way you like to come up with a viewpoint favourable to your own, but I’ll stand by this as a troubling interpretation of a story I found too troubling by far.  

For every post that censors the word QUEER (ie: qu**r) here’s a post that is nothing but the glorious, beautiful uncensored thing, in full. 

QUEER QUEER QUEER QUEER QUEER QUEER QUEER QUEER 

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so what if bellarke is end game then?

What if it is?  

The show has excelled at offensive tropes, so what’s one more? I’d honestly be surprised if they didn’t. Rothenberg has alternated over the years with hating ships and shipping to manipulating queer fans over their own ship, to killing off the show’s lesbian representation – what else is there left for him to do but continue the line of insults to its logical conclusion? It will be forced in there, because everyone knows bisexual women only get happy endings with a man, and he’s not beyond being spiteful toward the fandom that humiliated him – and it will make the Blarkes happy enough that they will tweet his praises and taunt the Clexas over it and it will stroke JR’s ego and that’s what matters, really.  That’s what it will ultimately boil down to. Boom, out. Next.  

I’m more looking forward to what @entirelytookeen will bring with (my) Destruction Within Your Mouth and future installments of her Lay of Looking Glass Land series and all the delicious crack @femininenachos provides and so many other wonderful and wonderfully written stories out there. @liminalsmith has a new one that’s quite intriguing and @lolana07 has offered up her first Clexa fic and it’s off to a good start.  There’s story out I’m just looking at called The Whore’s Queen that is awfully good, the brilliant @unicyclehippo has a new story out with Lexa as a young page set in the Tortall universe, and we look forward to @weasal continuing her stories when she can. 

Have you seen Black Panther yet? If you can, please do. It’s wonderful and complete in every sense, the best thing Marvel has ever done. In that line, Black Lightning is quite good with what I hope will be ongoing positive representation and Star Trek Discovery had some nice touches, too. I still haven’t seen The Bold Type but it’s on my list so is One Day at a Time and, of course, the upcoming series of Doctor Who with Jodie Whittaker in the role.   

Life is short, there’s great books and fics and programmes and films out there and so many other things to do and look forward to. Enjoy. 

why should rothenbrat be furious with the fans now why be petty? why should he care?

Rothenberg has any number of reasons to dislike this fandom and be spiteful towards them.  First, they called him out for his unethical behaviour that did them harm and they humiliated him.  Media sided with the fans and what he did is now widely known. His failure to own up in a honest, caring fashion, to look us in the eye and be active in his apology, working toward better for the community led to a downward slide for The 100, a major fall in ratings and media interest.  

Possibly the biggest result of all of this was a broken deal for a new series. 

Imagine: a fandom took down his little mountain, including what might have been a lucrative deal that would have helped lock in his career. It didn’t happen and now his only (failing) show on the air has been pushed toward the summer where it is no longer in play for the network’s ratings (and, therefore, the all-important Ad Dollar) meaning it is likely due for cancellation.  

And he doesn’t seem like the type to point a finger in his own direction.  

When I see people still not getting why the Lexa/Clexa fandom is still upset –

Imagine if T’Challa or Wonder Woman had been killed off in their respective films.  

After all the celebrating, the joy, the happiness of what these films represent to marginalised communities who never see a black or female lead superhero – imagine the anger and resentment and disappointment and heartbreak of losing that very important character within the space of an hour or two.  It’s over.  Done.  No sequel. 

Imagine all the little kids who look up to T’Challa, or Diana Prince, who finally got to dress up like a hero that looks like them.  Imagine their heartbreak. 

We’ve been watching for a while now, from Wonder Woman’s arrival to Black Panther – and the reaction from audiences and culture critics alike are positive, energetic validations of what these characters mean not only to them, but to society as a whole. They matter.   

‘Wakanda Forever!’ has been adopted, as has Wonder Woman’s cross-armed ‘boosh’ move.  People are happy and it’s good.  

For a few precious months, that was the Clexa fandom. They were happy, joyous, excited for this representation they never get to see.  Then she was killed and it was over.  

And it didn’t help that it was on purpose, that the one who did it had twisted this vulnerable audience for his own goals and got away with it.

For a short period of time, Lexa was the closest thing to a queer superhero we had seen (even after Xena, who wasn’t allowed to be ‘out’ at the time – Lexa explicitly was).  And she was killed off.  

Imagine someone doing that to Black Panther or Wonder Woman. 

Seems stupid, doesn’t it?  

We agree.  And it still hurts.

pr1deandj0y:

realshortfilm:

Today is the two year anniversary of Lexa’s death on the 100, a moment that was brutal for many of us in the LGBTQI community and also the inspiration for this film. It reflects my own experiences of the time, and I hope that it will resonate with many of you and your own experiences. 

A change is coming for those of us who do not feel properly represented in television today, but for now, I can only hope that this will help support you in the interim. 

Thank you for creating such a powerful piece! (This is really well done, Clexakru. If you get a moment, you should def watch!)

On a day when Clexas were remembering representation taken from them, Jason Rothenberg decided, for some reason, to tweet images from the upcoming season, at the same time.  A ‘random’ Saturday that just happened to be the second anniversary of Lexa’s death. It follows his return to regular tweeting – including blocking all Clexas who dare approach him. Doubtless, he doesn’t want anyone raining on what may very well be his last parade. Didn’t stop him raining on others (and, thus, encouraging his followers to do so as well). 

This one tweet in particular irked quite a few – after all, Bellamy is a character who participated in a massacre (that led the chain of events resulting in Lexa’s death), murdered two messengers in cold blood – and suffered no consequences, paid no penance.  Rothenberg calls him ‘valiant.’

Does he think this of himself after doing harm to others he paid no price for?  

Rothenberg couldn’t look the audience he deliberately misled, lied to and harmed, in the eye, couldn’t behave as a responsible adult who had hurt children, really, couldn’t apologise directly, honestly or work to show he actually cared, that it was all a mistake. 

One now can only think it never was.  He knew what he was doing when he used a vulnerable group of people to please himself.  His actions today were nothing short of spiteful.

Well, fuck you too, Jason.