Lexa + relationships

thedoctor-smith:

We never got to see Lexa’s closest relationships: taken from her
parents as a toddler, raised by the Flamekeepers, namely Titus, along
with several other Nightbloods we never knew (aside from Luna).  Lexa’s life was bookended by those who would use her for their own ends, but Lexa proved quietly defiant and could not be broken by their will. Instead, her very nature was questioned and and embraced in spite of itself by someone who shared so many qualities as to be twin-like. A soulmate. 

Who
were the other Nightbloods? Did Lexa have a sibling (like Luna)? Was
she close to any of the others? Luna’s talk with Clarke gave us no
suggestion as to the status of her relationship with Lexa before she
became Commander. We did learn how brutal their lives could be, and what
they were ultimately subjected to in the conclave system. Very little
of it made sense, to the point of it being almost surreal (which, given
our own times, might not have been so unrealistic), so it’s easy to see
Lexa as a lonely figure growing up in a privileged but fragile
environment where only one can be left standing.

We never saw her relationship with Anya, though we saw the impression she made. Anya was stoic, ruthless, pragmatic. She was our introduction to Lexa before we ever met her, but what were they like together? Anya, not much older than Lexa herself, would have helped trained Lexa in combat and tactical thinking. She would have subjected Lexa to hardship and even humiliation in training her, to ‘toughen her up’ as it were. Some have speculated her as a mother figure to Lexa. If Lexa was her second before she became Commander, it’s possible Anya knew the other Nightbloods and would have had to have treated them similarly. If Nightbloods are raised to die, or become Leader, no one would be encouraged to be close to them, to be friends with them, much less family. Anya would have kept an emotional distance, knowing her time with Lexa might be very short. Anya was a practical warrior, not an emotional one. She could care for her people, but she might have held Lexa at arm’s length, also for very practical reasons. Lexa might have admired Anya and, no doubt, mimicked her as a warrior, but did she have feelings for Anya? Lexa appeared to show some vulnerability on this point when Clarke presented her with Anya’s braid – but Lexa never brings up Anya again. She moves on.

We never saw
her relationship with Costia. Who was she? There is speculation she was
one of the Commander’s handmaidens or maybe a soldier, a guard or
someone who worked some menial job in the tower. We know Lexa cared for
her – ‘She was mine’ – though we know little else of her feelings beyond the
outrage of her murder. Was Lexa incensed because something of her ‘hers’ was taken, or did she really love this girl as she implies to
Clarke? This was a relationship not to be, as Lexa was raised to believe ‘love is weakness’ and ‘to be Commander is to be alone.’ Who was
responsible for Costia falling into Azgeda hands? It’s easy to speculate
that, perhaps, Titus might have betrayed the girl in order to get what
he wanted from Lexa: the Commander herself.

We saw, briefly, her relationship with Gustus, her closest advisor until we met Titus, and both these men mirror one another in their point of view: Lexa is important to both of them ‘You are the coalition,’ Gustus tells her, ‘You are special, Heda,’ Titus tells her, later. These seemingly protective father figures are also the most critical of Lexa, both convinced an alliance with Skaikru will kill Lexa or worse, fracture their world. She listens to both Gustus and Titus with detachment and, sometimes, visible impatience. She doesn’t like being questioned. It is Kane, a stranger, who points out Lexa is a ‘visionary’ who sees a bigger picture than probably anyone around them. Neither Titus or Gustus see this ‘bigger picture’ and it is the great tragedy that none of these Grounders lives to see its potential, that they worked so hard against it.  Gustus and Titus are, in each their own way, men of war who would have had Lexa wipe out Skaikru for the very real (and historic) threat they posed, and not without justification, but for Lexa’s hidden dimension: she saw a bigger picture and she saw it through her soul’s twin, Clarke

In her
relationship with Clarke, we saw Lexa soften, become hyper focused on
Clarke’s well-being and state of mind. She knew Clarke would suffer for
killing Finn and wanted her to get through it as quickly and painlessly
as possible. Don’t love, she implies to Clarke. Don’t do that to
yourself. You’re a leader. Do not suffer. Detach, become what your
people need you to be.

If we imagine for a moment that Lexa,
underneath her warpaint and armour is just an exhausted and frightened
young woman, clever and proud and strong, yes, but also bending a little
with the weight on her shoulders, we can see her plea to Clarke to ‘be
the leader her people can look to, put their hopes and dreams into’ as a
personal need for Clarke to lead her, as well. ‘Be my hope, stand with me, we will make the world over and it will be a wonderful thing.’  But Lexa is surrounded on all sides by immovable objects: her culture, Skaikru’s, Mt. Weather, Azgeda. 

As
a child on the Ark, Clarke also grew up in a privileged but fragile
environment where any minor infraction (for an adult) could mean death.
It made little sense, it must have been surreal at times. In a sense,
the 100 being sent to Earth was a kind of conclave, too. Who would be
left standing at the end? It’s hard not to see Clarke as the ultimate ‘victor,’ surely the way Lexa saw her ‘I told you my spirit would choose wisely.’

 It is Lexa’s faith in Clarke that becomes the unstoppable force that takes on her own way of life, head-on, and will not compromise. ‘We must love one another or die’ might be Lexa’s unspoken mantra. Offering her life and loyalty to Clarke, Lexa, reminding Clarke she is ‘born for this,’ makes herself Clarke’s subject (in Hakeldama, Lexa angrily tells Indra how Titus is her subject ‘they are all my subjects’ – it is a petulant moment of self-hate. As Clarke’s self-imposed subject, Lexa is reflecting her own failures – at Mt. Weather and, now, with the massacre) Clarke is the leader Lexa looks to, has put her hopes and dreams into. She cannot insult Clarke further by putting this into any other words than she did, on her knees, in total supplication: ‘I swear fealty to you, Clarke kom Skaikru, I vow to treat your needs as my own and your people as my people.’ 

image

Did Lexa swear an oath to Costia? Did she bow to Anya? She killed Gustus for his betrayal, setting up the conditions for her own (and the punishment that should have awaited her, by her people’s law), she berated Titus for his one-sidedness. In the other Nightbloods, she lived with and lost what should have been close comrades. It is hard to not feel her anger at all those losses when she shouts at Titus for not believing in her ‘I am more than capable of separating feelings from duty.’  It is not just of Costia’s death she speaks, but of all of them she has suffered at that point. Killing the other Nightbloods. Losing Anya. Killing Gustus, walking away from Mt. Weather.  Countless others we may never know about. And yet, the worst: the damage done to the one person she looked to as a great hope – Clarke.

Has anyone ever stood up to Lexa the way Clarke did, just days after first meeting her? Did anyone move Lexa to such immediate protectiveness as Clarke did? They hardly knew one another, but Lexa was already prepared to kill to save Clarke (bye, Quint) and would rather Clarke have run and save herself from the pauna than try to save her. It is after this moment we learn how little Lexa regards her own life, a confession Clarke mistakes as a belief in reincarnation. Lexa smiles at Clarke not in flattery that Clarke would save her because she is better than her generals, but because Clarke doesn’t understand, there is a secret only Lexa really knows. Lexa was raised to die with the promise of living on in the Flame. But even Lexa could not know what that meant until it happened. 

If Lexa had lived, it is more than possible she would have changed her people’s way of life far beyond ‘blood must not have blood.’  She likely would have ended the conclave system, likely would have shared the secret of the Flame with Clarke (shared everything, no doubt).  It is possible her entire government would have changed to something more democratic, not relying on rare Nightbloods to supply a small pool of potential autocratic leaders. Clarke would most certainly have done her utmost to end such a terrible system, having grown up in one herself. 

Clarke is now all that is left of Lexa, forever incomplete without her, robbed of the Flame, Lexa’s half of their soul, that should have been hers, and all that Lexa wanted to accomplish, so much ash and dirt. 

In Madi, though, Clarke seems to have found a piece of Lexa again, a reminder of what she was, and has not failed her so far.  In Madi, there is a reflection of the young, ill-fated Nightbloods that Lexa was a mother-figure to, and, so, through Clarke, Lexa lives. 

Lexa Appreciation Week, day 3 – favourite relationship

In honour of this ignominious anniversary, reposting some thoughts on Lexa. 

There will be a trend LexaLivesOn on Twitter today, perhaps think of participating, remind the world why she was important (if you’re in the UK, it’s 8pm).  

In a Sea of Strangers, You’ve Longed to Know Me – Lolana – The 100 (TV) [Archive of Our Own]

lolana07:

Chapters: 1/1
Fandom: The 100 (TV)
Rating: Mature
Warnings: No Archive Warnings Apply
Relationships: Clarke Griffin/Lexa, Clarke Griffin & Lexa
Characters: Clarke Griffin, Raven Reyes, Lexa (The 100), Anya (The 100), Octavia Blake, Bellamy Blake, Lincoln (The 100), Indra (The 100)
Additional Tags: This is going to be a sloooow burn, ye be warned!, with a dash of angst thrown in there for good measure, okay maybe a little bit more than a dash.., again ye be warned 🙂
Summary:

The one where Clarke is a marine biologist and Lexa owns a boat charter business in a beach town.

Or my excuse to nerd out over marine bio and boats with our fave leading ladies!

You did it!

Everybody hop over and read this!

In a Sea of Strangers, You’ve Longed to Know Me – Lolana – The 100 (TV) [Archive of Our Own]

How’s your mom 7 sister doing? My mom has been going thru the same and I know it’s hard. I hope its looking better for both of them!

My mum is doing much better, thank you. It’s been a painful recovery for her, but she’s starting to feel like her old self. My sister is having a harder time with her treatment, we really can’t wait for it to be over.  

Hoping good things for you and your mum. Thank you for the good thoughts. 

How come you didn’t ship bellarke before clexa happened, and now that clexa is finished, why not ship bellarke? I’m just curious and also a little envious as our fandom does not have as good writers as you (yes I am a bellarke shipper)

entirelytookeen:

I confessed in a post about why I love Bellamy that when I started the show, I did so because I found the aesthetic and premise appealing, but I’d first heard noise about it because there was a really popular femslash pairing. (This was midway between season two.) I thought, “with my luck the dynamic between the girls will be boring twee sweetness and I’ll end up shipping the heroine with this goober I can tell is CW-flavored endgame from the first ten minutes of the pilot. Because I already love that goober.”

But I was wrong! Not just about how Clexa played out, but also about Bellamy and Clarke, as I further expand on in that post about him. I tend to ship characters who believe in the same thing, but have wildly different approaches to how to get it – so the fundamental understanding between them is there, but the tension between their methodologies leads to interpersonal friction that (hopefully) leads to better mutual understanding. (I didn’t sit down and decide I would do it this way, of course, I’ve just noticed a pattern.) That’s Clexa in a nutshell.

But it’s not Bellamy and Clarke – they’re the polar opposite in my opinion. They believe and strive for very different things, and all they share is an investment in propping up the system they believe will lead to their different goals, or prioritizing the people who will do the same. If anything I anti-ship them, not because of silly fandom squabbles but because I think they bring out the worst in each other if unchecked. 

So much of their interaction in seasons one and two (again, I stopped watching after three and I’m completely uninterested in any other seasons, so please don’t write me saying I’m “wrong” because of them) leads to the most grim and traumatic outcomes: Lincoln’s torture, pulling the lever at Mount Weather, even Bellamy’s undercover mission and the fall of TonDC. They weren’t the only variables at work in those situations, of course. But because of their lack of similar ethos but shared logos, when it’s just the two of them? In close quarters? That’s when bad shit goes down. 

To be fair, this is also why I like them as friends. They’re both carrying really deep emotional scars from life on the Ark, so they’re kinda like… trauma buddies. The emotional abuse they’ve both suffered really has removed their sense of when to put on the breaks, as it were, and I like the idea that they can look at each other and say, “thank goodness for someone else who realizes there is no such thing as constancy, or permanent safety, all we really have are coping methods that help us get better at pretending. Someone else who will do, quite literally, whatever it takes.” But at brass tacks this is a really poisonous worldview, as even their behavior acting as individuals can back up. And while I like the idea they can look at each other and feel less alone to see someone who is broken in similar ways, if I want them to heal, they need to be shaken up and shaken out of it. 

I don’t think they’re capable of doing that for each other. Together, Bellamy and Clarke tend to fall back into old, Ark-era roles or patterns of behavior – understandable, since they’ve been conditioned to see each other in those roles since birth. (Even when they fight, they’re more fighting the ideas of each other left over from the Ark.) Turning that into a romance feels like romanticizing those abusive systems, i.e. “their love cancels out their trauma.” And I have to be honest, the fandom surrounding them seems to buy into that, with the whole “she’s his princess, he’s her soldier” shtick which I find… repellent.

(not to bash your ship, bunny, but you did ask)

So I was never going to ship them, regardless. And even now, the thought of them ending up together is less upsetting because of Lexa’s presence or lack thereof, and more because Raven and Bellamy are the clear standouts as a (still-living) couple: thematically, narratively, and even in terms of actor chemistry. If Bellamy and Clarke are endgame, it’s just another nail in the coffin of incredibly poor writing and tone-deaf characterization that led to the show becoming unwatchable in its third season. (Instead of, again, Lexa presence or lack thereof.) When I used to get angry at the thought of Clarke and Bellamy together, it’s because I believed the show was better than that; I don’t anymore, and that’s what makes me sad. 

… so now that’s cleared up, let me take a moment. 

Not to rap your knuckles or anything, but Clexa is not “over.” I’m sure you were just speaking in terms of continuance in canon… but still. I’m going to take this opportunity to put it out there that coming into the blog of someone who so (passionately) ships two female characters and asking them, if one was killed off, why they don’t just switch to the heterosexual pairing that involves the character left standing, is not a good look! I’m flattered you like my writing so much and I’m going to take your question as the compliment I’m sure you meant it, but I feel like I would be doing you something of a disservice if I gave the impression that it didn’t also cross a line.

Even if you missed my posts on what an amazing, perspective-shifting experience it’s been for me as a lesbian to write romances between two women for an audience who is hungry for exactly those stories, this remains a Not Good Look. Considering the rate at which lesbian and bisexual female characters are killed off, taking their deaths as a reason to stop shipping – as in, stop celebrating their stories and love, stop writing the potential that was unexplored, stop honoring what pieces of representation they did provide and why death does not impact its importance – would basically mean the death of femslash fandom as a whole. Which is exactly what the wrong kind of people want. Especially the predominantly male, cis, white, and heterosexual showrunners who see any story that is not an extension of their own lived experience or reflective of how their experiences are the best and should be taken as universal. (#notallmaleciswhitehetshowrunners) 

I think shipping as activism is misguided, but at the same time I can believe that an audience caring about the “wrong” couples is a finger in the eye of people who make their livings persuading others that whiteness and heterosexuality are the only valuable commodities. Those people are genuinely threatened by an audience who wants the girl get the girl, or who rallies around heterosexual couples where not just one but both characters are played by actors of color. Because American television is very much part of the capitalist machine, and if they can’t use it to skew the value of concepts they feel they “own” – that the main dude has to prioritize the white female lead over all other romantic prospects, that the bisexual heroine can suffer interestingly in relationships with other women but her happy endgame has to be with a dude – they have to fall back on things like writing talent, and, well. 

I’m wandering into the weeds a bit, but my point stands: if I stop shipping the characters I love just because the people in charge decided one of them had to die, the terrorists win it would be antithetical to fandom itself. A large part of the purpose of fandom is to reclaim popular narratives from those who would use them to toxic ends, to prove that systematic privilege does not mean you get to completely dictate the destinies of those who lack it – even in fiction. 

So they killed Lexa. That’s within their purview. But that can’t touch Clexa. It would be an error to translate their mistakes as impact. Or to believe their actions should, in any way, guide my own. 

visibilityofcolor:

Yo don’t automatically assume that white people who happen
to be a part of marginalized groups will care about your experiences of racism
by default , or be able to relate to you.

In my old fandom, I had a friend who was a trans guy and he
talked to me nearly nonstop about his experiences of transphobia. He talked
about how his strict religious parents would force him to wear makeup and dress
like a girl, he talked about how they were abusive to him, etc…etc…and how him
being trans affected his life and the oppression he got from it . And I listened
to him, because he was my friend. I’d stay up late listening to his struggles and give him advice that would help
him.

Well, can you imagine what happened when I tried talking
about my experiences of racism with him and how it affected me? It got him
angry, and in the end it inevitably ruined our friendship. Places in society
where he couldn’t see racism he got mad at me for pointing out. We both enjoyed
a certain author’s works and when I pointed out the racism in said authors
works/perpetrated by said author—he’d get mad and deny it. When I tried to tell
him about my personal experiences of racism since childhood, he’d change the
subject or act like he wasn’t interested. He’d act offended sometimes too.

I thought that because he was trans, and someone who knew
what oppression was and faced it from society and even his strict/religious
parents, then he’d understand my life to a degree. And I thought through that
we could grow closer. However, I forgot to remember one thing about him, and
that was that he was white. Not only was he white, but he was rich as well. I thought
that because of his situation, we’d relate by that wasn’t the case. And I think
people need to realize this. It also made me think of the rampant racism in the
lgbt+ community, and how many  members of
color have faced racism from white lgbt+ like my former friend.

So like, my point is to understand that white people in marginalized
groups (white lgbt+ and white women) aren’t automatically going to take your
side. They are women, they are lgbt+ but they are white first. And we are
fooling ourselves if we believe that by default, they’ll side with and want to
listen to our struggles of racism

The existential crisis, knowing death is out there, feeling it stalking, like some creepy old white repugnant tory paid up member of the nra about to repeal net neutrality, take away everyone’s health care, retirement and livelihood, sending our friends and families to countries they never lived in, keeping friends and families from living with us, that stupid, racist, fascist misogynistic old fuck. Fuck off. No one wants you. No one asked for you. Just fuck the fuck off.